For issue three of m0ire, the discussion moves on to “processing”. True to the spirit of the publication, our contributor’s accounts are centered in their respective craft, yet they overlap in unexpected ways. Carrie Pollack, a New York-based artist, discusses early abstraction in photography and the process of transferring metaphor. Anton Studer of Nouvelle Noire, a Zurich-based type design studio, discusses the discrepancies of mathematical exactitude and optical harmony. While seemingly unrelated, each text touches on the age old question, is seeing believing?